top of page

bibliography.

Aguilera Morales, S., Navarrete Sepúlveda, B. and Bravo Barriga, D. (2021) Que todo el territorio se vuelva feminista. Las protagonistas de las tomas universitarias del 2018. Santiago: Ediciones Lom.

Bharucha, R. (1993) Theatre and the World. Performance and Politics of Culture. London: Routledge.

Dewaele, J. (2013) ‘Multilingualism and Emotions’, in C. A. Chapelle (ed.) The Encyclopedia of Applied Linguistics. Oxford: Blackwell Publishing Ltd., pp.1-7.

 

Eilers González, M. (2023) ‘Language, Theatre, Culture’ [Presentation slides]. PX7000: MFA Professional Platform. Available at: https://issuu.com/marianneeilersg/docs/marianne_eilers_conference. (Accessed: 9 September 2023).

 

Fernandes, A., Haughton, M. and Verstraete, P. (2023) ‘Introduction: Theatre, performance and commemoration’, in M. Haughton, A. Balduino and P. Verstraete (eds.) Theatre, Performance and Commemoration: Staging Crisis, Memory and Nationhood. London: Bloomsbury Publishing, pp. 1-15.

 

Landon-Smith, K. (2016) Towards an Intracultural Actor Training: Utilising the cultural context of the performer. Master thesis. University of East London.

Martinovic, I. and Altarriba, J. (2012) ‘Bilingualism and Emotion: Implications for Mental Health’ , The Handbook of Bilingualism and Multilingualism: Second Edition, pp. 292-320. Available at: https://doi.org/10.1002/9781118332382.ch12.

Rodríguez, J. (2019) La Contratoma. Santiago: Ediciones El Líbero.

Schneider, R. (2023) ‘Foreword: Speculating on ceremony’, in M. Haughton, A. Balduino and P. Verstraete (eds.) Theatre, Performance and Commemoration: Staging Crisis, Memory and Nationhood. London: Bloomsbury Publishing, pp. xv-xviii.

 

Stephenson, J. (2019) Insecurity: perils and products of theatres of the real. Toronto: University of Toronto Press.

 

Warren, J. (2017) Creating Worlds. How to Make Immersive Theatre. London: Nick Hern Books. 

bottom of page